I realized yesterday as I was writing that I haven't written in almost 3 weeks. I was then looking at my past Facebook statuses and realizing how much I'm forgetting. So much has happened, how can I expect to remember it all unless I remind myself about it. So, at the moment I want to briefly reminisce about all that's happened so far.
July 4: 3 concerts; 3 different cities. They say if we can survive the 4th of July, we can survive anything. With that in mind, we all loaded up in the morning to catch the busses for Dillon. There we set up the stage backwards, with the winds in front and the strings in back. Since the amphitheater was small-ish they gave the sun protection to the strings. I was extremely grateful, but at the same time, I know wind instruments are not inexpensive either. The next destination was Evergreen. That concert was a little more difficult as far as the elements were concerned. The crowd was definitely on the small side for account of the rain. It drove everyone's instruments absolutely wild. The poor woodwinds were having a hard enough time with the altitude change with their reeds, much less the newly added humidity. We don't really need to go into how that affects stringed instruments. The storm didn't fully hit until our last song fortunately. After we were done, we were supposed to have a barbeque outside. Instead, we picnicked inside the Evergreen log building. I don't really know what it was for, but it was appreciated none the less. The last show was in Breck. We got back in time to have a little time to relax before our last concert. I ran over to go see the Budweiser Clydesdales while they were still in town. They were in the parade earlier, but I had missed it on account of the other concerts. They were so pretty, and HUGE! I was glad I got to see them before they left. Our last concert started at 8:30. As soon as we were done the fireworks started up. I was impressed by the show considering the size of the town. I love the 4th of July. There aren't many holidays where the crowd, first of all, is so involved in the music. Secondly, that you, as a musician, can be so involved with the audience. And perhaps most importantly, that everyone is gathered for the same purpose: A celebration of the past, remembering the glory and honor instilled in our heritage, and the acknowledgement of service. The fact that all of that is experienced through music is amazing. I don't think the 4th of July would be the same for me if I weren't playing music. It really is one of my favorite holidays. It's one of the few times that I feel unified with the people around me. No matter what our opinions of politics, war, religion, we all seem to be unified for this one day. And for as much hard work we did that day, I was happy and full of life. It was even better that I was able to experience it 3 different times that day with the NRO.
July 6: We got the day before off yesterday and we were all exhausted. Today we start Shostakovich 5 with our first guest conductor Joanne Falletta. But first we have a sight-reading rehearsal of Brahms 4 with Jaap Van Sweden from the Dallas Symphony Orchestra. Maestro Jaap was unbelievable. Whenever anyone introduces a conductor, they usually give their opinion of them, usually to the point of "They're the best in the world" etc. This time I believed it. What he got out of us in just 2 hours was simply amazing. He didn't even have a full rehearsal time, but the results were incredible. He tightened every section of the orchestra and got us to play together, with passion, and musicianship. Maybe what he said were things we had all heard before, but the results were what were different. He is a conductor who I would most definitely love to work with again. I wonder what we, and I mean NRO, would sound like after 4 more rehearsals with him on the Brahms…
July 8: Joanne Falletta conducted our concert of Shostakovich 5 and Smetana's Bartered Bride. I think it was unfortunate to have her conduct the very same day as Jaap, but maybe it was unavoidable. In any situation, it is difficult not to compare. It is most certainly hard not to compare when your put back-to-back like they were. I know this concert was one of the more difficult ones, at least for me. I think the orchestra played extremely well at the concert. I will be interested in hearing what we sound like on recording. Unfortunately, I don't have the best recollection of what we actually sounded like, in as much as I had to wear earplugs for almost the entirety of the concert. Sitting right beside the piccolo, piano, and percussion leave you with little other options.
July 9: A bright and early 9 am rehearsal for Mahler. All of us are brain dead, and just making it through today's rehearsal was at times painful. I don't know why we do these early rehearsals right after a concert. Topilow gets frustrated with us, and then we get frustrated too. Maybe in reality, professional orchestras don't get any recovery time, but somehow I would like to think they at least get more than 12 hours off…
Calvin and his host parents Tom and Darleen took a bunch of us on a moonlight hike. This is our first day of Mahler 6 rehearsals. Quite a few people didn't show up I think because of the past week's schedule and the schedule in front of us. The Mahler Rehearsal was rough, and I don't doubt that people backed out on the hike to practice instead. I'm glad I went though. The scenery was beautiful in a very different way than in the daytime. More than likely I won't ever be able to do something like this again. I certainly don't know the woods and trails well enough to be able to do this on my own. Besides, I don't think I would want to do this with any smaller a group on account of bears…
July 11: Today was Mahler. Perhaps one the most exciting concerts yet. First of all, this was my first good Mahler experience. Secondly this was my longest concert experience ever. I've never played consecutively so long in a concert before. It was indeed a marathon. I don't think I've ever been so tired before I even finished a concert before. We started the 4th movement and we still had 30 minutes to go. This is definitely a concert I'm buying on CD. I want to be able to experience our playing from the audience perspective. As a side note, Kenji was asked to come in for one of the extra horn parts. It was most certainly unexpected to see a fellow Oklahoman here at NRO. We hadn't played together since Quartz Mountain days. It's cool to see how far both of us have come.
July 12: We got Sunday morning off, but we had a rehearsal later that afternoon to sight read the Rite of Spring. I haven't been so brain dead in a really long time. I am ashamed to say I played terribly that afternoon. But, I was not the only one. I can say without a doubt that the entire orchestra was exhausted. This is the piece that we will be playing along with the Breckenridge Music Festival. I'm excited about it, and it will be fun to see another Oklahoman, Tim McFadden, in the trumpet section. Coming here I didn't expect to be so proud or where I came from. To an extent I thought I would probably keep it on the low profile. The more time goes by; I realize how proud I am to be the only person from Oklahoma here. It's an honor and privilege to be representing my state like I am.
It is late, and I am tired. I have a big last free day ahead of me. Now that I feel like I've at least somewhat caught up with all that's happened I can pick back up where I left off. Hopefully I'll be able to write more periodically to keep the moments fresh. Seeing how wonderful and successful the summer has been so far, I can only imagine what's going to be in store for me next.